moseslmpg
Well-known Member
I don't blame you or people like you who only follow the games, but I can't take their objections to story innovations like bringing Vergil back with any seriousness. If someone isn't fully educated then their opinion tends to hold less weight.Esura;291244 said:Well, you cant blame me for only following the games, thats what DMC is first and foremost.
Actually, I wasn't going to note my opposition because you stated what responses you want in the OP, answers to things I cant give you. I just slipped it in when I wanted to question you about the 10 years in between DMC3 and 1, the only reason I posted here. I don't want Vergil back, flawed opinion or not and I cant state it in a way that would please your narrow criteria.
As for you not wanting Vergil back, that is your prerogative, of course. But the way I see it, if it cannot be expressed in logical, relatively objective terms, it is simply a matter of taste and is irrelevant to the betterment of the series and point of this thread. I find that this opinion is invariably the result of lack of imagination, or some kind of misplaced contrarianism, which I have been guilty of before as well tbh.
In any case, I apologize for my brusque responses to your simple request for clarification. I was girding my loins for an assault on my arguments that never came, alas.
The thing is, Vergil is a surefire way to explore new themes because his setting and motivations would be totally different from Dante or Nero. (BTW, Dante and Nero are not foils by any means, Nero is like a Robin, not the Joker). And Sparda? That is Vergil obsession in life, becoming more like his father. The only really certain way to learn more about Sparda is to explore Hell and see how he changed it and the legends demons tell about him. Again, Vergil's domain. It sounds like pretty much everything you want from the series could best be achieved by Vergil, you just don't include him in your equations. Just because Capcom listened to the fans doesn't mean the fans should be punished for it. One tip in business: give the customers what they want.Esura;291277 said:I would actually prefer for Capcom to explore a new theme other than Dante going against his brother. Its been done, and I highly doubt Capcom actually even considered Vergil until his fanbase gotten vocal. I would rather for Capcom to either add more to the Nero / Dante foil after DmC or actually make Dante learn more about his father, Sparda and throw a few twists in there for good measure. Imagine, for some unexplainable reason, Dante had to fight Sparda in order to truly master his demon powers. Theres actually plenty of interesting plotlines they could add to freshen DMC that dont have to include Vergil. Like a plotline explaining how the hell Dante is going to escape from hell in DMC2.
Ok, but you woud rather they rehash Dante for the Nth time? A character that pretty much by definition, has no motivation after DMC1? If you accuse Vergil of being tired, overexposed, and having his closure, then Dante had that 2 games before he did, and should be retired as well. By your logic, Nero should be the new protagonist of DMC (except, uh oh, he truly has no motivation either). This is of course ignoring the fact, that Vergil had no closure at all, and the last time we saw him was almost literally a cliffhanger.I would rather Capcom not rehash Vergil again to appease fanboy's and girl's wet dreams (no offense to anyone). He was a great character, that really don't need to be explored anymore until Sparda and Nero is explored more. Capcom practically threw Nero into a new game with a half assed explanation and no closure. Vergil had his closure essentially. Dante freed him from his suffering of being the Nelo Angelo.
To be clear, I don't want Vergil to just come back as fanservice either, but I don't think he has to. Certainly to no more extent than Dante does now. If he comes back, I want him to be a genuine character, which is possible to do.
And BTW, Lady and Trish are nowhere near integral to the series. If anything, they should have been thrown away with their respective games just like Lucia was. They were Bond girls. And Nero? He wasn't even really a character, he was a gameplay device with a face. The fact of the matter is that Vergil is the second most significant character in the series, and if anyone deserves the focus, it is him.
Like I said, it is just a lack of imagination. Since you can't think of the ways in which Vergil could become a real, authentic character that can deepened the series, you assume there is none. That is fallacious reasoning.