No. That's too negative a word. You don't get false teeth or an glass eye or a prosthetic leg to deceive people. You get those out of need.
You're getting lost in the analogy, IMO. Yeah, people don't get false teeth or a glass eye in order to deceive, but we're not actually talking about people with otherwise impaired quality of life who
need medical inventions for their health/comfort and they're all the better for having it. We're talking about a corporation selling you a product because they
want your money and they could do better than this but clearly opted not to, hence the customer dissatisfaction.
These characters with their shoddy dialogue and characterizations are the work of "reputable jewelers" trying to sell you a bootleg Rolex by trading on their good name, telling you it's a real one and spinning up a yarn about how it's a classic watch crafted in the finest whatever-the-hell and vetted by whoever-the-F because they want to make profit as cheaply as humanly possible while playing on your emotional attachment to the material (the hypothetical bootleg Rolex makes you think of your dad or something).
As for the character misinterpretation, yeah, that's the same s**t they did in 2. There's this archetype in Japanese media, the hero who says he doesn't care but in truth is just pretending. They have stupid lines like 'I'm not here to save the world, I just came to settle the score for that one time you beat me.' It's silly and rather Dante was far more sincere than that. When they did it in 3 he came off as a right a$$h073 but he eventually got sincere. Well, e says a'hole crap like that but never drops the actual a'hole attitude. If you pull it off it can come off well but that's not the issue. The issue is that Dante was not that type of hero; he was, as pointed above, the same kind of hero Leon was in 2 and 4, the stereotypical kind who goes out of his way to save others.
He "got sincere" in 3 too little too late, and his a-holishness doesn't even hold up. If he "doesn't give a damn" about anything until he met and interacted with Lady, why did he even go to the tower? He shouldn't have cared. The character-consistent act was for him to skip town. The F is Vergil gonna do, get mad and chase him down? We'd actually have a story there instead of "Vergil calmly waits for Dante to make things worse".
I don't give Capcom credit for intentionally making Dante a worse person so they could present the illusion of "development". See the below quote.
He technically doesn't in the anime. The fact is he is such slug in the show who refuses to do anything.
Yeah, that too. Haha, Dante destroys every locale he hunts demons in and causes collateral damage and racks up further debt, because he fights like a toddler that can't control his power at all, and he's willing to let innocent people die or refuse to save them, isn't that
cool?
Just ignore the commentary in 3142 from Shigeki Maeshima that "Dante's appeal lies not only in his coolness, but also how
caring he is."
Oh, yeah. Or how about the fact that actually read books in 1, which he doesn't do anywhere else. In fact, in the anime they go out of their way to mention how he'd never set foot at a library.
He's an illiterate loser who doesn't care about his own history or parentage! Haha, isn't that
cool?
Also, why are those the numbers? Why can't DMC2 take place 3 months after DMC4 (or 1)? Where ever it is that the canon places the order. Why is everything years and years apart? DMC5 doesn't have to be all those years later. How about just one year? 6 months? I know all these big events so close together would be worrisome but I think they space things too far apart.
IDK. They keep changing Dante's design so much they have to plonk
some time there for Dante to become an albino instead of possessing reasonably tanned skin but stark-white hair, for his whole jawline to change/square out, or him to get roided out, or him to look like Hank from Detroit: Become Human. But at least there's a refined elegance/classiness to DMC2 Dante's design that could conceivably stem from 1, as opposed to 3-4-5 Dante who are... not that.
In some parallel universe, Kamiya made the exact game he envisioned, that covered Dante's life at three stages. His young self, the version of him in his 20s that we saw in DMC1 who would actually lose to Mundus, and then Future Dante who cleans himself up, grows more powerful from there, and gets the rematch. Everything else is just riffing off of that.
I would buy DMC2 as happening however long in the future he would need to have the power to no-diff the Despair Embodied the way he does given he won that with no Sparda sword and no Trish intervention, plus the DMC2 novel's inclusion of him defeating an alternate-timeline "Void Mundus" who was more powerful than his DMC1 counterpart. I was even okay with 2 happening "far in the future" when Capcom first tried to disown it, because it'd mean Dante has a long lifespan that he could accumulate that level of power and experience with while retaining his looks instead of "aging like a human" and unintuitively getting absurd power anyway.
Instead he goes from "Can't beat Mundus without a Sparda amp" to "BTFO's Abigail (who is Mundus level) by flashing his DT" just a year or two later, to "defeats an even stronger Mundus with no Sparda amp" not that long after, to "slaughters The Despair, who even Sparda had to resort to sealing" not long after
that, but then "LOL no, Urizen sitting on a chair is stronger than all the previous opponents. Don't question it".
The way it is now with 31245 solely so all of Dante's major encounters with Vergil-or-related-phenomena happen about once every decade? IDK. IDEC. Whatever they do in the future won't stop me from mentally separating 1-2 from 3-Anime-4-5-etc as separate continuities. What are they going to do about it?
Not anymore, it seems. According to the new light novel (Before the Nightmare) Gilver was, basically, a shadow clone of Vergil.
Welp, another point taken away from Mundus. Makes one shadow clone of Vergil, doesn't send any more of them even though he could theoretically make an infinite number and has their combat data. It's as big a fumble as General Glauca from FFXV.
How would Dante even know that Gilver was
just a clone and not his actual twin? It's not like he asked the real Vergil and got the truth out of him. It's not even like Mundus admitted to making a Vergil clone either. He only cops to making Trishes.
I won't go that far. He also wrote Bayonetta 2 and DMC3 so he's got some high points, too. Apparently Kamiya also worked on these titles. In 3 he didn't do any production work. Apparently it was advisory. What he contributed is mentioned in the interviews on the back of 3142.
I would.
Nero has the simple name and simplistic character and design that he has on Bingo's watch even though the team supposedly intended on "making [Nero] more of a smart type" and sophisticated. The female characters became superfluous fanservice in the anime (and later DMC4) on his watch. He admitted to not being able to parse DMC1 Dante's character because "he wasn't a character that I'd originally created" and insinuated that "Kamiya's Dante" was unapproachable. He worked on 2, 3, 4, 5, the anime, and two supplementary novels. He has more misses than hits. This isn't the Chris Nolan of the character action/stylish-action genre.
I couldn't believe it when I read this. I used to watch that movie on HBO when I was a kid. I honestly didn't think anyone else had ever seen or heard of it and there is Shinji Mikami talking about how the movie had influenced Vergil's creation. Crazy, bro.
Compare "Vergil was based off of Sho Kosugi from Blind Fury" with Itsuno's botched Mazinger Z reference in 5. Night and day.
If I remember correctly he also told them to go nuts, not to get overly attached to the DMC1 story. I don't remember any mention of clarifying that it's not the same continuity but it has been years since I read through that book.
Bingo: "There were talks of setting it in a parallel world at first, because Vergil being alive doesn't quite mesh with the events of DMC1. But Itsuno-san said, '
If it's interesting, then do it and don't worry. If it has to be a parallel world, then it's a parallel world.' I agreed, so I went ahead and wrote it that way. I'd actually been discussing the matter with Kamiya-san since DMC2. As far as DMC3 was concerned, he said '
You don't even have to explicitly say it's a parallel world.' I told him that doing that might mess up the continuity, but he didn't care, saying that those kinds of things happen all the time."
Q: So that's how DMC3 wound up as wild as it did?
Bingo: "That's right, and Kamiya-san said it still wasn't enough. Early in development we were discussing how DMC3 would have a shirtless Dante, to contrast with the more refined Dante from DMC1, and Kamiya-san said, '
This Dante is quieter than I expected. And if you're going to change up his image, feel free to give him a weapon that's not a sword.'"
"You don't even have to explicitly say it's a parallel world" isn't the same statement as "Yes, it's totally in the same continuity"--
explicitly (say) was put there for a reason. The former statement expects that the game is doing a ton of
showing and not telling its differences for the fans to understand.
For instance, did we need to be
told in Bayonetta 3 that that Cereza/Bayonetta wasn't the exact one as in B1 and B2, or could we tell because her hairstyle closely resembles her child self, her face is cuter, her voice sounds younger, her dances are different, Luka calls her by her toddler nickname when he never once called the previous Bayonettas "Cerezita", and a Bayonetta we
are familiar with teases the third version about being a little crybaby, etc.? Bayonetta 3's story is garbage, and it plays like Kamiya and Miyata did lines of cocaine after an all-nighter in the office, but he still has
some faith in letting the game speak for itself.
He merely expressed the same thing for DMC3 with "
feel free to give him a weapon that's not a sword", "
give him long hair", "
give him a sleeveless shirt", "
give him two weapons to dual-wield right from the start": it's not Kamiya's Dante
anyway, so it's on Bingo to
show that and
really make it Not Kamiya's Dante. Instead, Bingo opted for not saying it's in a different continuity
and not clearly showing it because he didn't want to make the fans mad, so in effect, a parallel world game became a main continuity game even though this was the reboot before DmC, because Bingo is a coward.
I
am going to call him that, the same way I can call Itsuno two-faced for copping to a "sassy cigarette-smoking older woman" fetish in TGS 2018 and that being the design for Nico and her dynamic with Nero, even though he could've gotten that sh*t earlier in DMC3 because
Lady was concepted as an older, sassy, cigarette-smoking demon-hunter who would boss Dante around a bit and be his mentor, but instead he concern-trolled about appealing to the Japanese fanbase and how they don't want "blonde" or "swarthy" girls. Only to have both things in DMC4 (Trish and Gloria)
and 5 (Trish and Nico).
The things they say they wanted could be achieved way more simply if they put in a bit of thought instead of excusing themselves with fake concerns/fears.