@DragonMaster2010
Well, if you want the environment to be used in the choreographies, wide shots are a better choice overall, although less wide shots did work well in DMC3 now that I think about it.
Speaking of which, if it has to be an origin story, I agree that they should go with the DMC3 incarnation to get acquainted with the character, as in DMC3 his development as a character is the most evident from the beginning to the end.
Also, Dragon, I do think an actor that know well how to fight is required, cause you know how directors use to remedy to what an actor can't do: slow mo, fast and disconnected editing, unclear close-ups and shaky cam.
Yes, Dante is self taught but it's DMC, shouldn't strive too much for realism, don't you think?
Well, if you want the environment to be used in the choreographies, wide shots are a better choice overall, although less wide shots did work well in DMC3 now that I think about it.
Speaking of which, if it has to be an origin story, I agree that they should go with the DMC3 incarnation to get acquainted with the character, as in DMC3 his development as a character is the most evident from the beginning to the end.
Also, Dragon, I do think an actor that know well how to fight is required, cause you know how directors use to remedy to what an actor can't do: slow mo, fast and disconnected editing, unclear close-ups and shaky cam.
Yes, Dante is self taught but it's DMC, shouldn't strive too much for realism, don't you think?