@Veloran , at this point there is nothing which points Vergil would ever care about this unfortunate boy either.Vergil didn't care about his own brother or even respected his mother, much less himself, how would he care for a unwanted boy produced with a human woman, probably a scarlet woman?! None of us are sure of anything.
Hmm, probably an undercover woman leaving a baby in the orphanage's door or something.
The shadow of Vergil looks like Nero's DT with the asymmetrical shoulders.
Guy is crazy about family and legacy.
Arguable.
His mother is like half the basis of why he did everything he did.
What?
Who knows.
Pretty sure they're both to establish a further connection to Nero. Previously, other than Deadly Fortune, there was nothing saying that Vergil had ever even come to Fortuna.
Uh.. No?
Sorry, my bad. Honestly, as much as I liked this ending sequence, the reference seemed forced.
Eh, purely for the visuals.
Indeed, other than that, there's really not much to it other than a vague reference. I think the shadow at the end works in tandem with the mysterious woman at the beginning . On their own, they make no sense.
Well, the woman in the intro is clearly interested in Vergil and with her red coloration and the fact that she stands out gives her a slight level of importance and the fact that Vergil's shadow resembles Nero's DT vaguely implies Vergil's connection to Nero.
Pretty much. In a vacuum, they don't mean anything. Combined with each other and what we already know, they're further points towards the connection with Nero.
Exactly. It's more of a confirmation of what people already believed rather than a brand new plot twist.
I think Nero's DT was confirmed as the manifestation of his own soul.
