I am writing this to clear up any confusion about the story. This may seem a little complex so I want to be as clear as possible. I have read some inaccurate understandings of what is actually a pretty brilliant story...
First of all, ignore any fundamentalist religious interpretations of the story that try to warn that this game promotes Satanism or any other such nonsense. The original Japanese story elements come from a culture that is not Christian so they really do not bring the same baggage onto the scene when they deal with angels and demons. These are as significant metaphysically as the Greek gods in God of War - that is to say that they exist for dramatic purposes.
Dante and Vergil are Nephilim - part demon, part angel. They represent humanity, being capable of good and great evil.
The arch villain Mundus is NOT ‘the government.’ He is essentially an Illuminati bankster, or rather he represents all Illuminati banksters... If you want to get more academic, he is the embodiment of the Transnational Corporate Class. If you would like to increase your knowledge, you can read about that by Googling:
"Exposing the Financial Core of the Transnational Capitalist Class"
That is the title of an article by some very smart sociologists.
In DmC, Mundus states outright that he controls nations, corporations and individuals with debt. This is what the banksters do in the real world, using the IMF and powerful states to dominate the world. In DmC, Mundus calls the US President and makes a demand of a trillion dollars, to which the President agrees. This is like when Bill Clinton was elected President and he spoke about all the things he wanted to do to make America more prosperous and fair. His bank lobbyist advisor Robert Rubin and the Chairman of the Federal Reserve Allen Greenspan took him aside and told that he was not in charge and had better learn to follow orders. Clinton’s response: "You mean to tell me that the success of the economic program and my re-election hinges on the Federal Reserve and a bunch of f**king bond traders?" Yes, Mr. President. And if the President angers his overlords, he will end up like JFK. If you doubt this, look at Obama now trying to attack Syria despite no support from other countries or the American people. Obama fears the wrath of Mundus…
The mass of humanity in DmC is perpetually sedated and stupefied by consumerist indulgences and distractions. This is most clearly represented by Virility soda which of course delivers the opposite of virility. Consuming this demonic product makes one fat, stupid, and docile, i.e. a typical American mesmerized by consumerist spectacle and oblivious to the evils of the prevailing power structure. Likewise, this stupefaction via spectacle is also represented by Lilith’s club, “Devil’s Dalliance” where all the celebrities and athletes flock to engage in demonic bacchanalia thereby being placed even more firmly under the control of Mundus. Of course this is a metaphor for pop music idols, Hollywood, and pro sports – all the opiates of the masses that we enjoy in the 21st century. There is no reason to add video games to this equation because this aspect should be obvious (and amusing) to anyone who discerns the allegorical nature of DmC anyway.
In DmC, the eyeball cameras and the murderous federal agents represent the national security state. They supposedly exist to protect humanity from ‘terrorists’ but of course this is a pathetic farce. In reality, this police state apparatus serves to protect the hegemony of Mundus. Despite his seemingly limitless power, Mundus is paranoid that his reign will be brought to an end because humanity’s illusory perception of reality is maintained and built upon innumerable lies and massive criminality. Humorously, DmC was made before Snowden blew the whistle on the massive NSA spying operations...
Ultimately, the message of DmC is emancipatory. The hero fights and sacrifices to free humanity from its illegitimate master. This could not be clearer: “We are awake!” Someday, we here in Meatspace may overthrow our illegitimate Overclass. In the final summation, we are many and they are few…
You may not agree with Ninja Theory’s political analysis, but I hope that I have made it clear what the game is trying to say. I personally think that DmC is one of the most brilliant things I have seen in the realm of video games and that is why I took the time to write this.
First of all, ignore any fundamentalist religious interpretations of the story that try to warn that this game promotes Satanism or any other such nonsense. The original Japanese story elements come from a culture that is not Christian so they really do not bring the same baggage onto the scene when they deal with angels and demons. These are as significant metaphysically as the Greek gods in God of War - that is to say that they exist for dramatic purposes.
Dante and Vergil are Nephilim - part demon, part angel. They represent humanity, being capable of good and great evil.
The arch villain Mundus is NOT ‘the government.’ He is essentially an Illuminati bankster, or rather he represents all Illuminati banksters... If you want to get more academic, he is the embodiment of the Transnational Corporate Class. If you would like to increase your knowledge, you can read about that by Googling:
"Exposing the Financial Core of the Transnational Capitalist Class"
That is the title of an article by some very smart sociologists.
In DmC, Mundus states outright that he controls nations, corporations and individuals with debt. This is what the banksters do in the real world, using the IMF and powerful states to dominate the world. In DmC, Mundus calls the US President and makes a demand of a trillion dollars, to which the President agrees. This is like when Bill Clinton was elected President and he spoke about all the things he wanted to do to make America more prosperous and fair. His bank lobbyist advisor Robert Rubin and the Chairman of the Federal Reserve Allen Greenspan took him aside and told that he was not in charge and had better learn to follow orders. Clinton’s response: "You mean to tell me that the success of the economic program and my re-election hinges on the Federal Reserve and a bunch of f**king bond traders?" Yes, Mr. President. And if the President angers his overlords, he will end up like JFK. If you doubt this, look at Obama now trying to attack Syria despite no support from other countries or the American people. Obama fears the wrath of Mundus…
The mass of humanity in DmC is perpetually sedated and stupefied by consumerist indulgences and distractions. This is most clearly represented by Virility soda which of course delivers the opposite of virility. Consuming this demonic product makes one fat, stupid, and docile, i.e. a typical American mesmerized by consumerist spectacle and oblivious to the evils of the prevailing power structure. Likewise, this stupefaction via spectacle is also represented by Lilith’s club, “Devil’s Dalliance” where all the celebrities and athletes flock to engage in demonic bacchanalia thereby being placed even more firmly under the control of Mundus. Of course this is a metaphor for pop music idols, Hollywood, and pro sports – all the opiates of the masses that we enjoy in the 21st century. There is no reason to add video games to this equation because this aspect should be obvious (and amusing) to anyone who discerns the allegorical nature of DmC anyway.
In DmC, the eyeball cameras and the murderous federal agents represent the national security state. They supposedly exist to protect humanity from ‘terrorists’ but of course this is a pathetic farce. In reality, this police state apparatus serves to protect the hegemony of Mundus. Despite his seemingly limitless power, Mundus is paranoid that his reign will be brought to an end because humanity’s illusory perception of reality is maintained and built upon innumerable lies and massive criminality. Humorously, DmC was made before Snowden blew the whistle on the massive NSA spying operations...
Ultimately, the message of DmC is emancipatory. The hero fights and sacrifices to free humanity from its illegitimate master. This could not be clearer: “We are awake!” Someday, we here in Meatspace may overthrow our illegitimate Overclass. In the final summation, we are many and they are few…
You may not agree with Ninja Theory’s political analysis, but I hope that I have made it clear what the game is trying to say. I personally think that DmC is one of the most brilliant things I have seen in the realm of video games and that is why I took the time to write this.